Julien Haller Responds

Doing My Best To Hold The Line

Caught in the Act of Becoming

Caught in the act of becoming
looking for the still frame in your mind
you watch as it is forward borne
bent double and loosely laid
draped upon the golden shoulders of hope

So wide you throw your arms
inviting the day you have long awaited
but at your touch
at the moment of divine creation
it shrivels and dries
and falls to the floor in motes of dust

All your tears and blood and guts
they pour from your mouth
leaving you an empty shell
detached but still watching
as the still frame in your mind
is driven off to the distant horizon
at the merciless helm of time
still marching
never stopping

And you
a relic of youth
no more a man
but a customer of death
ticket in hand and dust in your heart
wait for your number to be called

Sex! Sex and Shiny! Shiny Sex! (Am I Better at Marketing, yet?)

Dear Gentle Readers,

I wanted to remind you that my book, Stories of Who We Are and How We Eat, will be available for free starting tomorrow, May fourth, and will remain so through the end of Sunday, May fifth. I hope you will give my work a chance, and maybe even write a review for it.

I do not have much more to say, but, as I feel sleazy just plugging my book, especially since I promised myself that this blog would not be a mere exercise in Marketing 101, here is an excerpt from the book I am currently reading, Last and First Men. Published in 1930, it is one man’s take on humanity’s distant future and how we will get there. Despite a good number of misses (like Mary Shelley in The Last Man, he saw weapons of mass destruction coming more in the form of biological warfare; but this is forgivable given the prolific use of mustard gas in WWI), the author, Olaf Stapledon, demonstrates a keen understanding of the human condition which shines throughout the novel.

And so, without further ado, an excerpt . . .

*         *         *

But in spite of this material prosperity he was a slave. His work and his leisure consisted of feverish activity, punctuated by moments of listless idleness which he regarded as both sinful and unpleasant. Unless he was one of the furiously successful minority, he was apt to be haunted by moments of brooding, too formless to be called meditation, and of yearning, too blind to be called desire. For he and all his contemporaries were ruled by certain ideas which prevented them from living a fully human life.

That Ol’ Black Dog

Dear Gentle Readers,

I will start with a general announcement: my book will be on Amazon for free this Saturday and Sunday, May the fourth and fifth. I hope you will give it a try.

Now onward to my confessional explanations and excuses . . .

As I mentioned in my last post, my ongoing struggles with anxiety and depression have taken a turn for the worse, leaving day after day tallied for another loss while I only half hopefully await my next victory against this, my existential monster. I am still reading, and the rewrite for my novel has come along far farther than one might expect given my deteriorating condition, but still I find so little energy left over for the work of this blog.

I will be honest with you: I do not believe anyone really follows my blog. I get “likes” and a steady, if slow and marginal, stream of visitors, but I seldom receive any comments that lead me to believe my readers are actually reading my posts. I do not say this to hook a handful of well meaning sympathizers, so please do not comment if your only intent is to give me a verbal pat on the back. I just do not feel like lying to you, the few who made it past my salutations and are still engaged in this post.

It might seem odd that I am writing my novel despite these feelings of futility, but I do enjoy writing, whether or not anyone is reading. It’s just that I do not have the energy to stay awake through the night to keep up with the novel and still give all of you quality posts, and the quality of my posts, and any other piece of writing I put together, is something I am not willing to sacrifice. I want my posts to express something original and daring, not something recycled and safe; I want my posts to challenge the status quo, not enforce it; and I want my posts to flow with a beauty of art, like a tapestry of words, not run stale and flat. I know such standards might mean a higher probability of failure, and that many readers might be turned off by that which shakes down their worldview, but I cannot fall back and sound the retreat. I must give the world a chance to prove it can grow past itself, and I must give myself the chance to atone for all the evil in the world for which I am to blame, however slim either of these chances might be.

Sincerely,
Julien Haller

P.S. So you can get a taste, here are a couple links to excerpts from my book:Books by Julien Haller
Excerpt from Preface

Leave without Absence and an Excerpt from H. G. Wells’ “The Food of the Gods and How It Came to Earth”

Dear Gentle Readers,

I apologize for my recent absence from the blogging world. If you are familiar with the writings on this blog, or have read my book, you know I have struggled with existential angst and depression in the past. Unfortunately, that old black dog has come to rob me of my peace of mind once again. Lately, I have been finding it more and more difficult to escape the futility of my efforts to build a better life for myself: my short stories, the novel I am writing, this very blog, all of it seems futile in the face of a world that wants iPhones and Michael Bay movies, not literature and philosophy. The foundation of my hope for this life, and my faith in achieving it, has always been delicate and fragile, waiting for no more than a solid gust of wind to send it tumbling, and, during the past couple of weeks, the little energy to which I might make a claim has been entirely spent on just keeping myself breathing, with none to spare for my more artistic and philosophical efforts.

But I am here now, and though I have no original material to share with you, my gentle readers, I do have something to share: an excerpt from H. G. Wells’ novel The Food of the Gods and How It Came to Earth. It is the story of a world in which two scientists synthesize a food like substance that allows for a preternatural growth of the organisms which consume it. Though the scientists had tried to experiment with it under controlled circumstances, a series of unfortunate events leads to it being spread throughout the world haphazardly; however, the vast majority of humans remain unexposed, leaving the hypertrophic few being treated as unnatural and outcasts. As the story progresses, an underlying theme begins to manifest itself within the text of the work: greatness is never appreciated, and only invites the scorn of others as they try to bring the great ones down to their level.

The excerpt below is one of my favorite expressions of this theme. In it, one of the few children who were raised on the food, making him over thirty feet tall, constructs a motorcycle like apparatus with an engine that can push over two hundred miles per hour. He is very proud of his creation and hopes to travel the world on it; however, his father quickly points out the obstacle in his way: it is not enough that he make the motorcycle, there must also be roads on which he can drive it, and the streets of the pigmy humans could not handle it.

For me, this is a powerful statement, especially in today’s society. As children, we are always told we can do what we want, the sky’s the limit, so dream big and work hard. But that’s not exactly right. The truth is, even if you pour you heart and soul into something, there is no guaranteed that the rest of the world, the other seven billion to your one, will allow it to be absorbed into the cultural stream; there simply might not be any demand for it. You might create the most wonderful and beautiful of creations, but if the world is not primed to receive it, you will go nowhere with it.

Anywho, I hope you enjoy the excerpt, and I will start writing here again just as soon as I push back that cantankerous old black dog.

*         *         *

The tallest and strongest and most regarded of all the children of the Food were the three sons of Cossar. The mile or so of land near Sevenoaks in which their boyhood passed became so trenched, so dug out and twisted about, so covered with sheds and huge working models and all the play of their developing powers, it was like no other place on earth. And long since it had become too little for the things they sought to do. The eldest son was a mighty schemer of wheeled engines; he had made himself a sort of giant bicycle that no road in the world had room for, no bridge could bear. There it stood, a great thing of wheels and engines, capable of two hundred and fifty miles an hour, useless save that now and then he would mount it and fling himself backwards and forwards across that cumbered work-yard. He had meant to go around the little world with it; he had made it with that intention, while he was still no more than a dreaming boy. Now its spokes were rusted deep red like wounds, wherever the enamel had been chipped away.

“You must make a road for it first, Sonnie,” Cossar had said, “before you can do that.”

Fire Out From The Water

If I could take the fire out from the water,
I’d share a life and you’d share a life
If I could take the fire out from the water,
I’d take you where nobody loves you and
Nobody gives a damn
-
“I’ll Believe in Anything,” Wolf Parade

Once upon a time, deep in the valley of the Manuella Mountains, there lied a now long forgotten town, Martir. Surrounded on all sides by the heights of jagged and snow capped peaks, a blanket of darkness covered the town, smothering it under the weight of perpetual shadow. Having not the slenderest of rays of light by which the colors of the village could be illuminated, the townspeople went about their days knowing none but the hues of gray that captured their village, and the shade of blue in which the sky was cast, for between the mountain tips lied a short expanse of the field of heavens. It was the one suggestion of beauty they had, and, craning their necks to gaze on it, they would wonder what else might be hidden from their dank and drab village.

They often prayed for more than just a glimpse of this beauty. They did not know for what it was that they prayed, having no words to describe it, but still they prayed for it. And then, one summer morning, the townspeople woke to find a fierce flame burning at the center of their town square. Its fire rolled in brilliant waves of red and yellow, and scattered a welcome warmth across the village.

No one knew from whence the fire had come, unheralded and unprecedented as it was, but the villagers gave praise to its sudden appearance nonetheless. For the first time since their ancestors came to Martir, the village sparkled with beauty and the people knew what colors had been hidden in the darkness: the red tile of the roofs, the white plaster of the walls, the green grass of the meadows, the blue tint of the water spring. They were all so crisp and dazzling, so awe-inspiring, that many of the villagers would spend hours staring at the same blade of grass, or a single roof tile, trying to determine the perfect word to name its particular shade of color.

But, as time passed, and familiarity replaced novelty, other, less savory, consequences of the flame’s power grew to plague the villagers. It was not long after that fateful summer morning that they began to complain about the increasingly intolerable heat. They sweated more in those days than they ever had before; and, even when they went to bed at night, exhausted by the day’s work, they would find their skin was red and hot, having been burned by the heat of the flame, and sleep was hard to find in the pain it brought.

And then came the inescapable ugliness. Without the cast of shadow under which their village had hidden for so many generations, the people found more and more that was imperfect: the houses were cracked and splattered with mud; the green grass faded in tufts of brown and unseemly weeds; the roofs hung unevenly; and the springs were coated in dirt. Everywhere they turned, some smudge on the beauty of their village made itself known; and even when they closed their eyes they found no reprieve, for the brilliance of the light had burned the unsettling images onto the insides of their eyelids.

With nowhere to hide from the fire’s touch, a deep melancholy fell upon the villagers, and many wished to return to the days of perpetual shadow. In their despair, they even tried to snuff the flame, but all in vain, for it was an eternal flame, and no force the villagers commanded was a match for eternity.

For years they lived under this malaise, until one day when a strange man appeared in the village square. No one knew who he was or why he had come, but still they congregated to greet him. He was a small man with a disproportionately large and aquiline nose. On his shoulders rested a forest green cloak that draped to his knees, and, when he spoke, he gestured with grand movements of his spindly arms. He never gave them a name, and the villagers were too wrapped in the majesty of his eloquence to think to interrupt him and ask for it, but he did pronounce a way. He told them he had come from a faraway land, one which had woken to find an eternal flame of its own, just like Martir, but that his village had devised a way by which the power of the light could be harnessed without sacrificing the colors of the world it made possible.

“Dig a hole in the earth,” he told them, “a hundred leagues at its deepest, and fill it with water. Then I will return to bury your flame.” And then the man, in the blink of an eye, disappeared.

The next morning the townspeople awoke early and began to work. Long days followed in which the people dug fathoms out of the earth. Even at night, when they stood tired and dirty, they continued to work by the light of the flame, its painful brilliance urging them onward in their task.

When they had carved a bowl-shaped hole out of the ground, one hundred leagues at its apex, they began to fill it with water. With no more than a trickling and sputtering spring, the task often overwhelmed the villagers, but still they worked with a fevered haste, and on the fortieth night after the appearance of the strange man, they added the last bucket of water needed to make their hole a lake.

After so long an effort, many wished to collapse right there and sleep for three whole days; but, despite their weariness, none could find such sweet oblivion. Wracked with anticipation and anxiety, they found themselves wondering, “Would the strange man return? Could he do as he promised? Could he really submerge the flame in the lake?” And when the skies above trimmed the starry fields with rolling hues of blue, the morning brought them to a fevered pitch of worry, and many, thinking the strange man would not come, sat upon the tufts of brown grass and wept.

But it was then, when hope had seemed to set below the horizon, that the strange man appeared once more. The people jumped from their despair and rushed after him as he, never saying a single word, took hold of the flame, carrying it in the palms of his hands, and dove into the clear water of the newly made lake. He swam deep and fast, the light of the flame radiating like a firefly caught in a bell jar, and the people all leaned over the water to watch as the man descended. Slowly, as the flame sank deeper and deeper into the shimmering leagues of water, the light around the village grew dimmer, and the shadows they had forgotten lengthened across the uneven roofs and cracked plaster. And just when they thought to worry that the lake was too deep, that the light might lose too much of its luster, the eternal flame came to rest one hundred leagues distant from the crystal surface of the water.

Still standing at the edge of the lake, inching along the mud and peering over the grassy lip, the people waited for the strange man to emerge from the depths. But he never did, and the people never saw him again. A thousand different stories were told to explain the mystery of the strange man with a thousand different reasons for his sudden appearance and strange disappearance, but on one point they all agreed: he was an agent of good. He had taken the eternal flame, that which had brought so much despair to the village, and carried its light where, though it still touched the village, it no longer offended the people’s eyes or burned their skin. They saw the red tiles of the roofs as they had on that first day, but no longer how unevenly they hung; still the white plaster of the walls was clear to the naked eye, but its cracks were cloaked in shadow; and even though the strange man sunk the flame under a hundred leagues of cool water where it could not burn their skin, its welcome warmth still spread across the village.

And so the people were happy once more.

Hundreds of years had passed with the flame buried deep in its watery tomb, the story of its submergence long passing from the villagers’ collective memory, becoming no more a point of human industry, but a divine fact, eternal and absolute as the flame itself, just as all history too ancient to remember becomes, when a boy named Esteban was born unto a young couple of the village. Esteban was a small boy, even for his age, with sandy hair that curled about his ears and bright blue eyes that drank in everything around him; and in every sparkle of those bright blue eyes lied a thirst for life that seemed to grow with every day, a thirst that he sated on every sight, sound, smell, and taste the village had to offer.

But it was not enough that he absorbed everything which impressed itself upon his senses; he sought to understand it all as well. To Esteban, the entire valley in which the town lied was rife with wonders and mysteries waiting to be figured out. And so, as he would wander the valley and revel in its life, he would step over the state of a mere sponge, only absorbing his surroundings, and become an agent of intelligence, imagining how everything worked, fitting the pieces together in the eye of his mind like they were a jigsaw puzzle, and building a picture of understanding from their jumbled existences. And at night, after the rest of the villagers had gone to sleep, Esteban would slip out of his window and stare at the greatest mystery of all: a tiny flickering light that danced at the bottom of the lake.

But, as years passed and Esteban came to know the whole of Martir, he was disappointed to find that gaping holes still marred his picture of understanding. Why did the green and soft grass sometimes feel harsh and dry? And why did the shadows seem to hang unevenly on the rooftops? No matter how long he spent thinking on these riddles though, he could not solve any of them.

One day, as he was feeling along a harsh and dry patch of grass, a young girl, watching him from her home, came outside and asked him what he was doing.

“I am trying to understand what is wrong here,” he told her.

“Wrong?” she asked.

“Yes, this patch of grass feels different than the rest.”

“What do you mean?”

Esteban took her hand and led her to the site of his mystery. “Do you feel that?” he asked, guiding her hand along the patch.

In fright, she pulled back her hand. “What is it?” she asked.

“I don’t know, but it is wrong.”

The young girl took a step away from him. “It can’t be wrong. Nothing is wrong.”

“But it is!” he said. “Can’t you feel it?”

She did not answer, but only burst into tears and ran back home.

Later that night, Esteban returned to his own home to find his parents waiting for him, and the mayor with them. They asked him what he had been doing and he told them about the harsh and dry patches of grass, of the shadows that hung unevenly on the rooftops. As Esteban listed all the imperfections he had found, his parents became increasingly embarrassed, and when he finally stopped, they began to fawn over the now disconcerted mayor.

“Please, your honor,” his mother said, “do not hold this against him. He is just a child; he does not understand. Please, leave it to us. We will teach him.”

The mayor laid a heavy hand on her shoulder, and, from beneath his bushy eyebrows, he pierced Esteban with a sharp look and said, “I have watched him now for some months, walking the village grounds and searching what is not for us to know. I had hoped it would not come to this, but his infractions have impugned the minds of our children now. He will have to be publicly chastised.”

“It’s not my fault!” Esteban screamed. “I did not make the grass harsh and dry. I did not make the walls jagged!”

“No one else has noticed these things you mention,” the mayor said. “No one else says anything is . . . ‘wrong.’” The word sounded odd on the mayor’s tongue, as if it were stale from lack of use.

“But you have to believe me! Something is wrong!”

“No more of that!” his father shouted. “Problems unspoken are problems unknown.”

“Please,” Esteban’s mother was pleading with the mayor. “Can’t we forego the public chastisement? I promise he will not do it again.”

The mayor thoughtfully rubbed his chin, his eyes still fixed on Esteban, but he did not speak, not right away. After several beats of this pregnant silence, the mayor pronounced his decision. “If Esteban will apologize to the girl and her family, we will forego the public chastisement.”

“No!” Esteban screamed. “I will not!”

But his mother lunged at him and covered his mouth. Then, with grateful eyes turned on the mayor, she said, “Thank you. He will do as you say.” After a brief exchange of pleasantries, the mayor left, and Esteban was sent to bed without supper.

That night, as every other night, Esteban slipped out of his window after his parents had gone to sleep. Sitting at the edge of the lake, he angrily thought of the coming day. Why should he apologize? He had done nothing wrong. It was the harsh and dry patches of grass, the shadows over the roofs, that were wrong. Why should he be punished for it?

Frustrated with his parents, the mayor, the little girl, Esteban plucked a smooth rock from the mud, making a suction-pop sound as he pulled it free, and threw it at the dark and still crystal surface of the lake. It tumbled through the depths of the water slowly, silhouetted by the light at the bottom of the lake, until, eventually, the light swallowed the rock and it was no more.

After the rock had disappeared, Esteban continued to stare into the shimmering image of maroon and bright yellow, so much like the sky on a late summer’s afternoon. He let himself be mesmerized by its restless dance, its struggle against the weight of the lake. It was so bright, so strong, to illuminate the village, however weakly, through the leagues of water it had to pass, and Esteban found himself wondering how the village would look if that light were brought to the surface. If it could touch the village from that depth, how brilliant must it be? Shadows would scatter at its radiance, and Esteban would be able to see why the grass was harsh and dry, why the walls were sharp and jagged. With the light above the lake, he would be able to see it all and . . . and he could fix it! He could fix the village!

And in that moment, though the water was deep and his stomach was tied in knots of uncertainty, Esteban knew what he had to do. So he stood from his seat in the grass, stepped back a single pace, and flung himself forward, diving head first into the lake, breaking its still and crystal surface. The water washed over him, cooling his skin, and he felt cleansed in its bubbling froth; and when the last of his toes sank beneath the surface, he began to kick and pull at the water eddying around him.

With each passing thrust of his body he moved closer to the flame, and its brilliant light fanned wider across his field of vision. The tiny flickering became more pronounced, and its dance grew wild. Throwing tendrils far through the depths, Esteban began to feel the warmth of it. The chill of the water broke, and even when the warmth became uncomfortable heat, still he swam toward it. He knew if he could only get to the light everything would be okay. The village would be a better place.

He needed it to be a better place.

But it was not long before his lungs began to burn. He kicked and pulled as hard as he could, but the lake was proving to be too deep. He was close now, very close, but he would never make the surface again. There was just too much water, and it was too heavy, too deep. Looking back at the leagues above him, the far cry at which the surface rippled, he knew he was going to die. But his mind was set, and so he swam deeper still, and when the flame was mere inches away, he reached out his hand, gave his feet one last kick, and touched it.

It was hot, scalding and blazing. It singed the tips of his fingers. By instinct, Esteban pulled back his hand, trying to nurse its sting, but this was an eternal flame, and all eternity needs is one lick and it will swallow you whole.

The flame began to curl about his arm. Upward it traveled in its terrific heat, and when not an inch of his skin was but covered in its raging torrent, his body erupted in a conflagration of brilliant light. The pain was searing and he tried to scream, but only to find water that filled his starved lungs. Panic set in and he started to flail, yet still his body shriveled in the heat of the fire.

But then, in his last moments of life, one hundred leagues below the surface of the lake, a sort of calm washed over him, for he knew he would not drown before the fire consumed him. And as his eyes closed for the very last time, he smiled, and turned to ash.

 *         *         *

In December of 2012, I published a book of short stories titled Stories of Who We Are and How We Eat. When I first started this blog, I had hoped that, in addition to being a forum in which I could express my ideas and my art, it would serve to generate interest in my work. Unfortunately, it has not been going as well as hoped.

I know a lot of the novels self-published on Kindle lack originality, most being easily reduced down to “fifty shades of commercial crap,” but, if my work is anything, it is unique. Is it good? Well, that’s for you to decide. So, if you read my blog, please consider giving my book a chance. It might just surprise you.

Posts and pages in which you will find excerpts to my book:
Books by Julien Haller
Excerpt from Preface

Selected Realism: The Blind Faith of her Father

Dear Gentle Readers,

The poem below is the product of very specific circumstances, and, without knowing these circumstances, it would be impenetrably obscure. With that in mind, here is a brief explanation.

When I was twenty, there was a semester in college during which I often went to class drunk and/or high. One of my classes was a seminar on creation and evolution. The class had three instructors who taught very little because most days were spent listening to guest speakers, experts in their various fields, from around the world. It was on one of these days with a guest speaker, a day when I was particularly drunk, that all three instructors chose to sit in the back of the classroom with me. Two of them were on either side of me, and the third was in front of me.

Being nervous they would catch on to how drunk I was, I faked the act of taking notes, merely writing down various phrases the speaker spoke, each and every line being transcribed word for word as she said it. At the time, the phrases themselves seemed disconnected and disjointed; but afterward, when I sobered up, I realized they had a certain rhythm and thematic coherency to them, in a postmodern and poetic sense, of course, but rhythm and thematic coherency, nonetheless.

And it was thus that the below poem was constructed. Please note that neither the words nor the punctuation used below were added in later or edited. They are as raw as the day I drunkenly wrote them. The line spaces are the exact same as well. Nothing has been altered.

Nothing.

You might think that such a piece in its unedited state, especially given the circumstances surrounding its conception, would be of little value. However, despite this very reasonable reticence, I still believe it is a piece of significant meaning.

I admit that I could be wrong though. I mean, I did write it drunk :)

Sincerely,
Julien Haller

*         *         *

let me not
Fear of guilt of association
Socialism sounds good.
Do I know?
Yes.
Freedom of thought . . .
You’re not allowed to think.
Time: summer.
Not too long ago
Censorship or thought control?
How crazy this thing was . . .
It’s focus is freedom of thought
It’s asking you to follow him
Progress has never been a bargain.
Through line of action?
And that’s wrong.
The town is visible always
he’s the devil
Pompous view?
A very interesting view
The encounter of Raven
She has a real struggle with the duality
“he that troubleth his own house
shall inherit the wind.”
He’s just a man.
I’m ready
I know my religion
He gladly dies . . .

(The blind faith of her father)

 *         *         *

In December of 2012, I published a book of short stories titled Stories of Who We Are and How We Eat. When I first started this blog, I had hoped that, in addition to being a forum in which I could express my ideas and my art, it would serve to generate interest in my work. Unfortunately, it has not been going as well as hoped.

I know a lot of the novels self-published on Kindle lack originality, most being easily reduced down to “fifty shades of commercial crap,” but, if my work is anything, it is unique. Is it good? Well, that’s for you to decide. So, if you read my blog, please consider giving my book a chance. It might just surprise you.

Posts and pages in which you will find excerpts to my book:
Books by Julien Haller
Excerpt from Preface

Need

I need direction, but I need fire. I need the flame to burn tall, but I need laser sights. I need to dare the metaphor that dances fifty feet in the air with nothing but fishing line to hold it up. I need my narrative to strike the reader in the throat and leave him slobbering for more. I NEED! So much need before I can bust out of this shell and stand naked before the tribunal of public opinion. There is so much I need to tell them. NEED! It is not want. It is not desire. It is not mere convenience; it is my fucking blood and guts, and everyday they are being ripped out by neutered dogs. They slobber and they piss and they moan; they lick the hands of their masters while he feeds them another foot of my intestines. And after all of this, my words still need salt. I NEED!

The Eclipse

It was noon, and a different darkness brimmed the body of the sun. No horizon heralded its coming; no nighttime cast followed its shadow. But still it came, shrouding the sun like a Merlot fills a glass on a slow pour, and, for a moment, when the wine kissed the lip of the glass, the fires raged with nothing to burn, as if they were a thousand concubines dancing, twirling their sashes in suggestion, but with no king who bade them do. And as we watched this majesty of mystic signs, we forgot ourselves and our science; we left behind tales of empiricism and linearity; and we gave our mind and reason to its image, holistic and insular, never caring to question how the flames waved on the edge of nothingness, no fuel to make them real, only enduring in our surety that they did.

And yet, as all things must pass, so did the moment: the glass found itself drained of the Merlot; the singularity was lost to the march of time ; the flames regained the body of the sun; and the spectacle returned to the reigns of science and reason, where all is awash in the muddled grays of time’s continuum. But still the memory remains of a moment hanging in the balance, suspended and discrete, divorced from reality and allowed to rise to ethereal heights, where all that is dissolves, and all we hope ascends.

 *         *         *

In December of 2012, I published a book of short stories titled Stories of Who We Are and How We Eat. When I first started this blog, I had hoped that, in addition to being a forum in which I could express my ideas and my art, it would serve to generate interest in my work. Unfortunately, it has not been going as well as hoped.

I know a lot of the novels self-published on Kindle lack originality, most being easily reduced down to “fifty shades of commercial crap,” but, if my work is anything, it is unique. Is it good? Well, that’s for you to decide. So, if you read my blog, please consider giving my book a chance. It might just surprise you.

Posts and pages in which you will find excerpts to my book:
Books by Julien Haller
Excerpt from Preface

I Was Wrong: Final Review of “The Adventures of Augie March”

In a previous post, I remarked on the lack of narrative coherency I found in Saul Bellow’s “The Adventures of Augie March.” I do not stand here corrected, for the description was apt enough; but I do stand humbled. Like any great crescendo, the narrative took time to rise to itself; but, if not for the softness of its feet at the beginning, the ending’s crash and bang would not have had the power it did.

I have written elsewhere (not on this blog, but rather in the megabytes of philosophical wandering on my laptop) that art, though at times inspiring and uplifting, should not be chained by the idea of the “happy ending.” It is a reflection of existence, a crystallization of life’s  form given in large swathes of color, whether painted by pigment or word, and that is exactly what Augie March is: a reflection of life.

In the beginning of our lives, beyond our biological and molecular makeup, we are largely tabula rasa waiting for the concepts, experiences, and all else of life to write upon our brow. And so we, like a sponge, absorb everything around us without prejudice or judgment. Jumping from one thing to the next without ceremony or finesse, our lives lack narrative during these days, much like Bellow’s work did.

But as time progresses and patterns are spotted, we begin to weave tales of our lives from the cluttered fragments of existence. No longer do we take from the rawness of life, but rather we begin to give that same life as an offering to the order against which we hope our lives will measure favorably, and it is from that order that the narratives of our lives are composed.

This is exactly what Augie, the protagonist of the story, does, same as the rest of us. From the imposition of his childhood experiences, he builds an idea of the world, and then sets out to conquer the same in the name of his wants and desires. But, along the way, he comes to realize that the world has its own ideas concerning his life, and from this struggle is born the narrative of this well crafted work.

As I read books in print (I mostly read from a Kindle these days), I fold down every page in which I find passages I like. In the first one-hundred pages or so, I think I folded down two at most; however, by the end of the book, I felt I needed more than the mere two corners any single page has to fold over. Hell, I probably could have had hundreds, one for each of the words on the page, and still felt limited. And this feeling continued to increase up to the final paragraph, the narrative having reached the peak of its crescendo, whereupon the reader gets Augie’s final self reflection on the nature of life and how he fits in the mix:

“What’s so laughable, that a Jacqueline, for instance, as hard used as that by rough forces, will still refuse to lead a disappointed life? Or is the laugh at nature—including eternity—that it thinks it can win over us and the power of hope? Nah, nah! I think. It never will. But that probably is the joke, on one or the other, and laughing is an enigma that includes both. Look at me, going everywhere! Why, I am a sort of Columbus of those near-at-hand and believe you can come to them in this immediate terra incognita that spreads out in every gaze. I may well be a flop at this line of endeavor. Columbus too thought he was a flop, probably, when they sent him back in chains. Which didn’t prove there was no America.”

My Book Got a Five Star Review from a Top 50 Amazon Reviewer!

Dear Gentle Readers,

I think my title says it all, but I’ll give this occasion its due reiteration: an Amazon Top 50 reviewer recently reviewed my work, Stories of Who We Are and How We Eat, and gave it five stars! As you can imagine, upon reading his review, I was stunned into a rather uncharacteristic silence, the wide and stupid grin plastered upon my face saying everything words could never capture.

But what left me even more breathless than the five-star review was the depth of what he had to say about my work. He really took the time to read the book, my book (sorry, still a little excited), and say something about it. I could not say “thank you” to him enough, though I tried my best in an email.

My book is still not selling like hot cakes (hell, let’s be honest, it’s not selling like lap dances from a geriatric stripper), but, for the first time, I feel a spark of hope for it, as if people, like all of you, my gentle readers, might truly enjoy it, if only they took the time to read it.

But don’t take my word for it. Read the review. Read the sample, which is provided if you click on the cover of the book on its Amazon page. Read the excerpts I gave in earlier posts, the links to which have been provided below. If nothing catches your eye, no harm, no foul. But I have faith that your experience will be something like Pringles: once you pop, you can’t stop.

(Yes, that was corny, but I’m maxed out on glee over here, so let’s give my brain a well-deserved break.)

Anywho, here are the links I promised you:
Books by Julien Haller
Excerpt from Preface

And, finally, for all of you wondering when I’m going to give you a real post again, I hope to do so by Wednesday. I have just started revising my first full length novel and have been trying to get my head screwed on straight for the effort. In the meantime, I apologize for my tardiness in bringing you my responses to life, the universe, and everything.

Sincerely,
Julien Haller

P.S. If you do not own a Kindle, you can still get my book. Just download the Kindle app for your computer. And if you have any questions, feel free to reach out to me.

P.P.S. Update 3/26/2013: I recently got yet another review! It was a four star review from another indie writer. He offered a lot of good viewpoints, so go to my Amazon page and check it out!

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